This stunning collection brings together goddess mythologies from across the globe: familiar, unknown, forgotten -- spectacular! Written by pioneering storyteller Sally Pomme Clayton, whose 30-year career has focused on researching female protagonists, these tales are conjured in vivid and poetic language. The book includes information about the pattern of myths and how they are represented globally and revels in the female, exploring desire, death, and the female body. Journey from Alaska to Mesopotamia and visit ancient Persian and Aztec cultures, meeting Sedna whose fingertips become sea creatures and Persephone whose sojourn in the Underworld brings Spring. This is the most significant contemporary collection of goddess myths and encourages readers to value the female, preserve culture and re-ignite storytelling traditions.

The Sunday Times Poetry Book of the Year 2017 Velkom to Inklandt is a collection of poems in which Sophie Herxheimer brings to life the voice of her German Jewish Grent Muzzer Liesel, whose somewhat abrasive but eminently humane perspektiff she's been unable to forget. Liesel came to live in Britain in 1938, with her young family. Her husband was one of many scientists saved by the speedily set up Council for Academic Refugees. Playing on the difficulties of the English lenkvitch and vokebulerry, the poems tell of an immigrant's attempts to fit in and make her home in a new country at war with her own. This fascinating sequence addresses alienation, survival, friendship, marriage, motherhood and loss against a backdrop of a London which has almost disappeared but at the same time remains straynchly familiar.

Once upon a time, in the Paris of Louis XIV, five ladies and one gentleman-- all of them aristocrats-- seized on the new enthusiasm for "Mother Goose Stories" and decided to write some of them down. Telling stories resourcefully and artfully was a key social grace, and when they recorded these elegant narratives they consciously invented the modern fairy tale as we still know it today.
For this beautiful anthology of six masterpiece wonder tales, Marina Warner gathered five writers with a special sympathy for the French stories they render here in burnished, cunning and amusing English. The stories, "The White Cat" (translated by John Ashbery), "The Subtle Princess" (Gilbert Adair), "Bearskin" and "Starlight" (Terence Cave), "The Counterfeit Marquise" (Ranjit Bolt), and "The Great Green Worm" (A.S. Byatt), are as unforgettable today as they were when first published centuries ago. Wonder is the key to the stories, and each tale abounds with transformation and magic. Wonders can be benign (like the garden fruits that come when you whistle) or baneful (like the bad fairy Magotine's spells), producing dread and desire at the same time. But, fortunately, they almost always punish those who deserve it: tyrants, seducers, and other forces of malevolence.
Heroes and heroines are put to mischievous tests, and their quest for love is confounded when their objects of desire change into beasts or monsters. Still, true understanding and recognition of the person beneath the spell wins in the end, for after wonder comes consolation, and after strange setbacks comes a happy ending. In Wonder Tales, a magical world awaits all who dare to enter.